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How to Shred Like Paganini: A Review of German Schauss's Book and Online Audio
If you are a fan of neoclassical metal or classical music, you may have heard of Niccolo Paganini, a 19th century Italian violin virtuoso who composed some of the most challenging and impressive pieces ever written. His works are full of dazzling techniques, such as fast scales, arpeggios, harmonics, double stops, and more. Many guitarists have been inspired by his music and tried to adapt it to the electric guitar, such as Yngwie Malmsteen, Jason Becker, Paul Gilbert, and others.
But how can you learn to play like Paganini on the guitar One way is to get a copy of German Schauss's book and online audio, Shredding Paganini: Heavy Metal Guitar Meets 9 Masterpieces by Niccolo Paganini. This book is a follow-up to his best-selling book Shredding Bach, and it covers nine of Paganini's most famous compositions, such as Caprice No. 24, Moto Perpetuo, Concerto No. 4 in D Minor, and more.
The book is divided into sections for each piece, and each section includes a brief musical analysis, a full transcription in standard notation and tablature, and tips on how to play the piece with proper technique and expression. The online audio features all of the examples played by Schauss with a full band backing track, as well as slow and regular speed versions for practice. The audio quality is excellent and the performances are flawless.
The book is not for beginners, as it requires a high level of skill and knowledge to play the pieces. However, if you are an intermediate or advanced guitarist who wants to improve your speed, accuracy, articulation, and musicality, this book is a great resource. You will learn how to play some of the most amazing music ever written for violin on the guitar, and you will also discover new ways of applying classical concepts to your own metal style.
Shredding Paganini is a must-have for any shredder who loves classical music and wants to challenge themselves with some of the most difficult and rewarding pieces ever composed. You can order the book and online audio from Alfred Music or download it from various online sources. You can also check out Schauss's website for more information about him and his other books and products.
In this article, we will review each of the nine pieces that Schauss covers in his book and online audio, and highlight some of the main challenges and techniques that you will encounter. We will also provide some tips on how to practice and master these pieces, as well as some suggestions on how to use them in your own compositions and improvisations.
Andantino Variato
This piece is based on the second movement of Paganini's Violin Concerto No. 2 in B Minor, also known as La Campanella. It is a beautiful melody with variations that showcase Paganini's lyrical and expressive style. Schauss transcribes the piece for solo guitar, and adds some harmonies and embellishments to make it sound fuller and richer.
The main challenge of this piece is to play the melody with smooth legato and vibrato, while maintaining a steady tempo and rhythm. You will also need to use a lot of position shifts, slides, hammer-ons, pull-offs, and bends to play the notes accurately. The piece is in the key of B minor, and uses mostly natural minor and harmonic minor scales.
To practice this piece, you should start by learning the melody by itself, and then add the variations one by one. You should also practice with a metronome or a backing track to keep your timing consistent. You can also try to sing or hum the melody along with your playing, to improve your ear and phrasing.
This piece is a great example of how to play a melodic solo with emotion and expression. You can use it as a warm-up or a cool-down exercise, or as a way to impress your friends and family with your musicality. You can also use the melody and variations as inspiration for your own solos and songs.
Romance for Solo Guitar
This piece is an original composition by Schauss, inspired by Paganini's romantic style. It is a short but sweet ballad that features some beautiful chords and arpeggios, as well as some fast runs and licks. It is written in standard tuning, but you can also play it in drop D tuning for a lower sound.
The main challenge of this piece is to play the chords and arpeggios with clarity and precision, while adding some dynamics and articulation to make them sound more interesting. You will also need to use some alternate picking, sweep picking, tapping, and string skipping to play the fast passages. The piece is in the key of D major, and uses mostly major and minor scales.
To practice this piece, you should start by learning the chords and arpeggios by themselves, and then add the runs and licks one by one. You should also practice with a metronome or a backing track to keep your timing consistent. You can also try to play along with Schauss's recording or video, to see how he plays it with expression and feel.
This piece is a great example of how to play a ballad solo with elegance and grace. You can use it as a way to relax or unwind after a hard day, or as a way to show your romantic side to someone special. You can also use the chords and arpeggios as inspiration for your own solos and songs. a474f39169